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[Jul. 7th, 2008|12:06 am]

normallife
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In Popular Culture [Jul. 7th, 2008|04:00 am]
xkcd_rss
Someday the 'in popular culture' section will have its own article with an 'in popular culture' section.  It will reference this title-text referencing it, and the blogosphere will implode.
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“這就是我們如何軋輥” [Jul. 6th, 2008|07:25 pm]

jwz
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[Current Music |Sneaker Pimps -- Roll On]

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[Jul. 6th, 2008|04:09 pm]

normallife
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[Current Mood | busy]

longer, fictional comic (not journal) for my sequential summer class. this time i'll post it every day instead of all at once :)

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xscreensaver help [Jul. 6th, 2008|04:00 pm]

jwz
[Tags|, , , ]
[Current Music |jwz mixtape 00]

Dear Lazyweb,

I could use some Linux xscreensaver debugging help. I made some fairly large changes to make it cope with the brave new RANDR world where monitors can be hot-swapped and have their resolution changed willy-nilly. Please apply this patch and test some things for me, k? Launch xscreensaver with -verbose to see what it's actually up to.

"Bad" would be 1) crashing, 2) part of your desktop ever being incompletely blacked out by a screen saver, 3) running savers on video outputs that don't actually have monitors attached to them.

If you have (or can has) more than one monitor:

  • Do they all go blank when xscreensaver activates?
  • Do things look right if you add a monitor while the screen is blanked? While it is non-blanked?
  • Likewise when changing the resolution of the monitors using the "xrandr" command.
  • Does it correctly realize which monitors are actually attached to the system and in use?
  • Try configuring your machine to use the old-style multi-screen mode (where you have displays :0.0 and :0.1, and no Xinerama or RANDR.) Does it still behave sanely?
  • Can you configure your X server to use just the Xinerama extension and not the RANDR extension? Try that too.

If you have only one monitor, you can still test this. Use Ctrl-Alt-KeypadPlus and Ctrl-Alt-KeypadMinus to change the resolution of your monitor without changing the resolution of your desktop, so that bumping the mouse against the edge of the screen pans across your desktop. (You might need to turn off the Xinerama and RANDR extensions to make this work, I'm not sure.)

  • When xscreensaver launches, the savers should always be the size of the monitor (you shouldn't be seeing a zoomed-in portion of the saver, you should be seeing the whole thing.)
  • Lock the screen. While the screen is locked, zoom in and out. The xscreensaver window should stay the size of the visible portion of the screen.
  • With the screen locked, bump the mouse against the edge of the screen. The screen should remain covered.

Please let me know how that goes...

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The Patchwork Years [Jul. 6th, 2008|11:37 pm]

warren_ellis

The years 2001-2007, approximately, on the web were the crazy years. The patchwork years. The years the web was massively and chaotically pumped full of Stuff. 1995-2001 were pretty crazy, of course, but they were checked by connection speed and the limitations of personal publishing. By 2002, broadband was happening over a broader swathe of the world, and blogging had bitten in. Followed by the takeup of bit torrent, YouTube, podcasting, and every other damn thing.

One of the few sane responses to this explosion of production was to assume the role of curator. (Other sane responses include moving to the woods and considering a completion of the work Ted Kaczynski started.) The two most famous examples of same are Jorn Barger’s Robot Wisdom (est. 1997) — Barger is said to have coined the term "weblog" — and Mark Frauenfelder’s Boing Boing (est. 2000 as a weblog, previously a print magazine est. 1988), co-produced for much of its life by Cory Doctorow, David Pescovitz, and Xeni Jardin. The latter, in particular, has spawned countless imitators, all deeply involved in doing the web-work of 2001-2007 — sorting out all the weird crap that’s out there and re-presenting it in some kind of ordered and aesthetically or politically filtered manner for our consideration.

My own filter, on the site diepunyhumans.com from 2002-2004 before I moved that side of things to warrenellis.com, was simply gathering research material. It had occurred to me that if I gathered my internet-based research on to a searchable database — something as simple as a blog — I’d have access to it anywhere I could get an internet connection. Which, for someone who usually travels with mobile devices, was kind of a big deal. And so I’ve found myself calling up reference through a Web TV five thousand miles from home while writing on a Treo handheld device and foldout keyboard in order to meet a deadline, before now.

In the shift from there to warrenellis.com, I’ve taken great pleasure in reporting the doings of my network of mad and beautiful acquaintances, further personalising the curation process. But it is, regardless, a curation process.

Anyway. That’s been the job of half the web, for the last several years — collating links from the other half of the web. Last year, I started getting a little itchy about this.

Wouldn’t it be nice if we could stand up now and say, okay, these are the post-curation years? The world does not need another linkblog. What is required, frankly, is what we’re supposed to call “content” these days. When I were a lad, back in the age of steam, we called this “original material.” Put another way: we like it when Cory and Xeni are the copy/paste editors for the internet, but we like it better when Cory writes a book and Xeni makes an episode of BoingBoingTV.

(In fact, if you read any of the abhorrent comments threads on BoingBoing, you could be forgiven for coming away with the notion that its readership would be happy if it shut down tomorrow.)

(It’s also notable, I think, that my favourite “new” groupblogs — Ectomo, Coilhouse, Inferior4+1 — don’t just link and go. But anyway.)

And, frankly, no-one’s going to do a better job of being the internet’s copy/paste editors than the BB crew anyway. They have the time, they have the money, they have the setup, they have the audience and they have the momentum of nearly a decade in the job. Nobody needs another linkblog like that. There are already thousands of them. The job of curation is being taken care of. Look ahead.

The weblog has evolved to the point where, today, it’s possibly the most effective way of transmitting material that any of us could have imagined. Look at Tumblr. It’s the easiest thing in the world for writers to use — and also artists, photographers, videographers, spoken-word artists, musicians and a dozen other things. Imagine a jewellery maker, a laptop musician, a performance artist, a cartoonist and a short-story writer getting together on a single Tumblr to make themselves an internet channel. The tools are all there, baked right into the site for free. Not groupblogging so much as groupcasting.

And with a million people all madly curating the web — in many cases, trying to put your link in their curational record before someone else does — getting linked up isn’t exactly hard any more. These aren’t the days of begging for space on someone’s jumpstation anymore.

The above is, as Simon Reynolds puts it, “not fully baked.” I want to come back to this once I’ve cleared this flu out of my system — which is why I have this bottle of whisky — and cleared out some of the work backlog.

(Automatically crossposted from warrenellis.com. Feel free to comment here or at my internet church at Whitechapel. If anything in this post looks weird, it's because LJ is run on steampipes and rubber bands -- please click through to the main site.)
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DOCUMENTAL [Jul. 6th, 2008|06:41 pm]

warren_ellis

DOCUMENTAL is an exhibition by four emerging photographers, including two good friends of mine, Irene Kaoru Malatesta and Sarah Sharp. Exhibition ends with a live gig, apparently. If you’re in NYC on the 11th, please do go and see them. Details in the link, obviously.

2633005066_aecdc7ff24_o

(Automatically crossposted from warrenellis.com. Feel free to comment here or at my internet church at Whitechapel. If anything in this post looks weird, it's because LJ is run on steampipes and rubber bands -- please click through to the main site.)
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Paul Pope [Jul. 6th, 2008|06:34 pm]

warren_ellis

There is no nihilism in pushing the frontiers of comics, no budgets but our imaginations, no reason to stop trying.

PULPHOPE: KARIMBAH

(Automatically crossposted from warrenellis.com. Feel free to comment here or at my internet church at Whitechapel. If anything in this post looks weird, it's because LJ is run on steampipes and rubber bands -- please click through to the main site.)
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mixtape 038 [Jul. 6th, 2008|01:43 am]

jwz
[Tags|, ]
[Current Music |as noted]

We now resume your regularly scheduled mixtape programming. Please enjoy jwz mixtape 038.

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[info]dnalounge update [Jul. 6th, 2008|01:39 am]

jwz
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[Current Music |Heartsrevolution -- Digital Suicide Sywst]

DNA Lounge update, wherein we have angered The Lorax.

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ועוד נויבאוטן [Jul. 6th, 2008|10:26 am]

shayel
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והפעם בקלאסיקה של לי הייזלווד, וננסי סינאטרה, הזוג הכי קינקי בסיקסטיז:
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My Claw Once Pinched By Harlan Ellison [Jul. 6th, 2008|02:08 am]

warren_ellis

Harlan Ellison turned 74 years of age the other week. And so I dug out my copies of THE GLASS TEAT and THE OTHER GLASS TEAT, the collections of his columns on television written circa 1969-1971, and began to re-read them, as I do every couple of years. The thing you need to know about the GLASS TEAT books is that, for all the wrong reasons, they’re timeless. The states of American network tv, dissent and education have not notably changed since he wrote those columns in his mid-thirties. (I’ve been re-reading those books since I was 20 or so, and it’s a shock to realise I’m finally older than he was when he wrote them. And I don’t want to think about how long it’s been since I first picked up a volume of his short stories in Rayleigh Library. With my dad making approving noises behind me: "Harlan Ellison. Good writer.’’)

I met him once. I’d made a crack somewhere online about Harlan’s heart being held together with garden twine and Lego, I think as part of a larger piece about dealing with anger as a writer. One of his fans — not representative of his constituency as a whole, I think — suffered a major reading comprehension failure, fired a foul note off to me and put it in front of Harlan as a ’’let’s you and him fight’’ kind of deal. From which I received a very nice email from Harlan, assuring me that no gardening supplies were required to hold him together and actually addressing the substance of the piece rather than the misreading placed before him. It was nice, he said, that it turned out we each liked the other’s work.

There’s a peculiar artist’s fear, that rides very low in the gut and mostly goes unspoken. Though few of us would cop to having ’’heroes,’’ debased term that it is, the fear does run along the lines of ’’don’t meet your heroes.’’ The man or woman who wrote the things that helped form you as a creator is not necessarily as loveable as the work. This is something I’ve been lucky in, but I will admit to passing on meeting Hunter Thompson a couple of times, and friends of mine have not had my luck. I know writers who now cannot read their heroes’ work. The books are tainted by the experience.

I met Harlan some months later, at a convention. Our signing tables were side by side. Harlan arrived later than I did (I think the signings were staggered), spotted me and yelled "Warren Ellis! Let me give you a manly hug!’’ So I stood up. Harlan’s about five and a half feet tall. I’m six foot tall barefoot, and I was wearing heavy boots. He looked up at me and exclaimed, "Jesus, you’re HUGE!"

I don’t have "heroes," but there are writers I admire greatly, who were influential in my becoming a writer, and I am grateful to have met Harlan Ellison and remain able to take pleasure in his work. Better: now I can hear his voice, and recall the great personal warmth with which he welcomed me on every occasion we met during that convention.

All of which, wishing him a belated happy birthday and talking about how generations of writers deal with each other and so forth, is really just preface to my discovery last night that the fine ebook purveyor Webscription is now offering eight Harlan Ellison books.

(Automatically crossposted from warrenellis.com. Feel free to comment here or at my internet church at Whitechapel. If anything in this post looks weird, it's because LJ is run on steampipes and rubber bands -- please click through to the main site.)
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Lenora By Olivia [Jul. 6th, 2008|01:34 am]

warren_ellis

A preliminary study of my friend Lenora Claire by Olivia Berardinis:

2638932461_016d54c92f_b

(Automatically crossposted from warrenellis.com. Feel free to comment here or at my internet church at Whitechapel. If anything in this post looks weird, it's because LJ is run on steampipes and rubber bands -- please click through to the main site.)
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On Whitechapel Tonight [Jul. 5th, 2008|09:34 pm]

warren_ellis

* Saturday Night Open Mic.

* Lots of people complaining about tonight’s DOCTOR WHO.

* Next Generation Comics Teaching.

* People talking about the first issue of my new X-Men comic.

* And the July edition of The Whitechapel Book Club.

(Automatically crossposted from warrenellis.com. Feel free to comment here or at my internet church at Whitechapel. If anything in this post looks weird, it's because LJ is run on steampipes and rubber bands -- please click through to the main site.)
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A work night without a homosexual [Jul. 5th, 2008|11:28 am]

gordonzola
[Tags|, , ]
[Current Music |Marianne Faithfull -- "the Ballad of Lucy Jordan"]

Last Saturday I worked, as usual, the Saturday night closing shift. Working Pink Saturday (the day before Pride) is always amusing. All day its crazy busy. Brunch seems to be very gay, as is, it turns out, cheese. But then, BAM!, at 6PM it’s just like “A Day without a Mexican” but for queer folks. All of a sudden all the workers and shoppers are straight!* It’s like Rainbow Grocery Co-op has been transported to another city or another time.

Thankfully as soon as I walked out the door it was like walking into a street party with every kind of drunk, celebrating homo one can imagine.

Whew.



*of course one can’t tell for certain by looking but…
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zeitflickr 5 july 2008 [Jul. 5th, 2008|03:28 pm]

warren_ellis

1. Obama girl, 2. KARIMBAH, 3. bottlerockets, 4. paper, 5. Hauling heavenward [8830], 6. Jacen Burrows

(Automatically crossposted from warrenellis.com. Feel free to comment here or at my internet church at Whitechapel. If anything in this post looks weird, it's because LJ is run on steampipes and rubber bands -- please click through to the main site.)
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I, for one, welcome our new oxygen-deficient yet still fashionable overlords. [Jul. 5th, 2008|02:54 am]

jwz
[Tags|, , ]
[Current Music |Tricky -- Brand New You're Retro]

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Collecting Stray Thoughts - 2008-07-04 [Jul. 4th, 2008|11:59 pm]

warren_ellis
  • I guess it’s Independence Day over the pond tomorrow. I trust you’ll all be doing your “solemn acts of devotion to God Almighty.” Right? #
  • 12 people reply with exactly the same thing:”No, we’re going to blow shit up!” Ah, Americans, the world’s little helpers. With explosives. #
  • @tikistitch : Guy Fawkes Night is where we burn an effigy of Fawkes to annually humiliate his name for failing to blow up Parliament. #
  • FREAKANGELS 0019: http://www.freakangels.com/?p=44 #
  • Also, happy 21st birthday to my cowgirl, @laurennmcc #
  • @laurennmcc that’s because you look and work better at 40 than most people do at 21. July 4 is always Laurenn McCubbin Day to me. #
  • @laurennmcc : also, I promise to stop telling people that you’re @mckelvie ’s mother, Soon. #
  • July 4 - I now have 5111 silent stalkers — I mean “followers” — on Twitter. Soon I will issue the Secret Command Signal. Be patient. #
  • @kellysue - in 1997, the only person I saw dress up for the Eisner Awards was George Perez, resplendent in tuxedo and vivid cummerbund. #
  • Dear old George did, of course, stand out like a Maharajah at a convention for people who drink paint stripper recreationally. #
(Automatically crossposted from warrenellis.com. Feel free to comment here or at my internet church at Whitechapel. If anything in this post looks weird, it's because LJ is run on steampipes and rubber bands -- please click through to the main site.)
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Serious Sans [Jul. 5th, 2008|06:33 am]

imomus
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Babe, Terror [Jul. 4th, 2008|09:16 pm]

warren_ellis

Babe, Terror is a band (or maybe a single guy?) out of Sao Paulo who appear to be fashioning their recordings in a tumbledown Portuguese church somewhere off the ninth circle of Hell. It has the same feel as the earliest Sigur Ros, but significantly more lo-fi, Satanic and loveless.

Their demo is up on PureVolume — I’m listening to "Nasa Goodbye" right now.

(Automatically crossposted from warrenellis.com. Feel free to comment here or at my internet church at Whitechapel. If anything in this post looks weird, it's because LJ is run on steampipes and rubber bands -- please click through to the main site.)
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